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Could the eldest of three, who is only destined for less, be on her way to good fortune? Wish Upon a Star by Sanura Bey reviews No matter where or when you are, hearing voices is never a good thing.

So, why is it that when Emilia hears a voice, she gets the one thing she's always wanted? Soplo de aire fresco by Dark Heart Attack reviews Sophie era un soplo de aire fresco.

She has to be. As the middle child between her outgoing bubbly older sister; Leticia and her headstrong, opinionated younger sister; Martha.

Yet it's that quietness and hidden strength that first draws Howl's attention. Her growing confidence and her no-nonsense attitude towards him is what captures his heart.

The Partner by jeju-island reviews Howl Jenkins Pendragon is a prince who lives in the capital and secretly immerses himself together with the people of Ingary.

As he remains incognito he begins to uncover the dark secret of the Royal Family. He then began a private investigation where he partners with a detective named Sophie Hatter.

A story of friendship, betrayal, and LOVE. The film tells the story of a young, content milliner named Sophie who is turned into an old woman by a witch who enters her shop and curses her.

She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king. Influenced by Miyazaki's opposition to the United States' invasion of Iraq in , the film contains strong anti-war themes.

Miyazaki stated that he "had a great deal of rage" about the Iraq war, which led him to make a film which he felt would be poorly received in the US.

The film contains feminist elements as well, and carries messages about the value of compassion. In , Miyazaki said the film was his favorite creation, explaining "I wanted to convey the message that life is worth living, and I don't think that's changed.

Howl's Moving Castle had its world premiere at the Venice Film Festival on 5 September , and was theatrically released in Japan on 20 November The film received critical acclaim, particularly for its visuals and Miyazaki's presentation of the themes.

Sophie, a young milliner , encounters a wizard named Howl on her way to visit her sister Lettie. Upon returning home, she meets the Witch of the Waste who transforms her into a ninety-year-old woman.

Seeking to break the curse, Sophie leaves home and sets off through the countryside. She meets a living scarecrow , whom she calls "Turnip Head".

He leads her to Howl's moving castle where she enters without invitation. She subsequently meets Howl's young apprentice Markl and a fire demon named Calcifer, who is the source of the castle's magic and movement.

When Howl appears, Sophie announces that she has "hired herself" as a cleaning lady. In truth, Calcifer made a deal with Sophie to break her curse if she breaks his link with Howl.

Meanwhile, Sophie's nation is caught up in a war with a neighboring kingdom, who is searching for their missing prince.

The King summons Howl to fight in the war. However, Howl decides to send Sophie to the King under the pretense of being his mother to tell him that Howl is too much of a coward to fight.

Before leaving, he gives Sophie a charmed ring that leads her to Calcifer and guarantees her safety. Sophie meets Suliman, the king's advisor, and also the Witch of the Waste, whom Suliman punishes by draining all of her power and reverting her to her true age, that of a harmless old woman.

Suliman warns Sophie that Howl will meet the same fate if he does not fight for the king and so Howl arrives to rescue Sophie. Suliman tries to trap him by turning him into a monster, but with Sophie's help he remembers himself and just barely avoids death.

The duo escapes along with the former Witch of the Waste and Suliman's dog Heen. In the meantime, soldiers from each kingdom break into the homes of both Jenkins and Pendragon Howl's aliases in those kingdoms.

However, the men only find an empty courtyard and warehouse, as the castle's magic nature allows travel between 4 separate residences.

Sophie learns that Howl's life is somehow bound to Calcifer's and that Howl has been transforming into a bird-like creature to interfere with both sides in the war, but each transformation makes it more difficult for him to return to human form.

Howl then has the castle magically linked to Sophie's home, parking the castle itself on the town's outskirts. A few days later, the town is bombed by enemy aircraft and Suliman's henchmen attack the house and Sophie's hat shop.

Howl heads out to protect the group. Sophie then moves everyone out of the house and removes Calcifer from the fireplace, which collapses the castle.

The Witch of the Waste realizes that Calcifer has Howl's heart and grabs the fire demon, setting herself on fire. Sophie panics and pours water onto the Witch, which douses Calcifer.

The remainder of the castle then splits in two; Sophie falls down a chasm and is separated from the group. Following the charmed ring, Sophie wanders into a scene from the past, where she sees a young Howl catch a falling star — Calcifer — and give him his heart.

Sophie calls for them to find her in the future as she is teleported away. She returns to the present, finds Howl, and they reunite with the others.

The Witch returns Howl's heart, and Sophie places it back inside Howl, reviving him and freeing Calcifer, though he decides to stay.

Sophie's curse is broken, though her hair remains white — a symbol to show that her learning and maturity from the whole experience are intact.

After she kisses Turnip Head on the cheek, he returns to human form, revealing himself to be Justin, the missing prince from the enemy kingdom.

He reveals that only his true love's kiss can break his curse. After seeing Sophie's affection lies with Howl, he promptly heads for home to cease the war.

Suliman, watching through a crystal globe, also decides to end the war. As the bombers fly away, Sophie, Howl and the others travel high in the air in a new flying castle.

Howl's Moving Castle contains strong anti-war themes, influenced by Miyazaki's distaste for the Iraq War. So [he] felt some hesitation about the award.

Despite the film's success in that country, literary scholar Dani Cavallaro stated that Miyazaki was able to "create a film which ought, in principle, to have caused a certain unease among American audiences.

This reflects Miyazaki's desire to show real-world conflicts as also being somewhat arbitrary and fueled by the desires of capricious people.

The universe of Howl's Moving Castle is depicted as not having clear-cut villains and heroes; instead, the characters are complex, and even those that are initially portrayed in a negative light, such as Howl, are shown as capable of change.

By transforming into the bird, Howl risks losing his own humanity; Calcifer comments at one point that he will soon not be able to return to human form.

Like several other Miyazaki films, [14] Howl's Moving Castle reflects the director's love of flying. The nuanced view of flight is part of Miyazaki's broader critique of modern society and technology.

Margaret Talbot writes that in person, Miyazaki exhibits "a profound dissatisfaction with modern life," [14] particularly with the effects of technology and a disconnection from nature.

This contrast is part of an ecological criticism of modernity, but Miyazaki also offers an alternative, in the form of beautiful natural scenery.

Miyazaki stated that an attractive aspect of the story of Howl's Moving Castle was the relatively positive light it shed on growing old.

According to Miyazaki, old women are only infrequently allowed to dominate the screen as in Howl's Moving Castle , which made it a risky concept.

In , Miyazaki stated that Howl's Moving Castle was his favorite creation, and explained his choice by saying "I wanted to convey the message that life is worth living, and I don't think that's changed.

Parsons writes that "In Miyazaki's balancing act, old women can be powerful and weak, positive and negative, nurturing and selfish, maligned and loved; in short, they can not be simply categorized or stereotyped, and they can not be dismissed as fantasy malefactors embodied by evil witches.

In September , Studio Ghibli announced the production of two films. Mamoru Hosoda of Toei Animation was originally selected to direct the film, but quit the project after Studio Ghibli's executives rejected many of his concept ideas.

Miyazaki went to Colmar and Riquewihr in Alsace , France, to study the architecture and the surroundings for the setting of the film.

The film was produced digitally, but the original backgrounds were drawn by hand and painted prior to being digitized, and the characters were also drawn by hand prior to scanning them into the computer.

Therefore, the studio chose to manually retouch the digitally altered images, recreating the "feel" of a hand-drawn image. The film has several differences from the novel, partly due to the different requirements of the two media.

Diana Wynne Jones ' novel has a very large cast of characters, and several plot threads that were too complex to be transferred into the film.

Miyazaki traveled to England in the summer of to give Jones a private viewing of the finished film. She has been quoted as saying "It's fantastic.

No, I have no input—I write books, not films. Yes, it will be different from the book—in fact it's likely to be very different, but that's as it should be.

It will still be a fantastic film. The novel depicts Howl's castle as a tall, dark and sinister wizard's tower, very different from the complex image in the film.

The film's castle may be seen as a parody of the machines seen in the movie, driven both by steam-engines and by magic. In the film, it is a "rotund collage of chimneys, roofs, steam pipes, and other odd appendages, borne along on mechanized bird legs" [29] that is similar to Baba Yaga 's hut in the popular fairy tale.

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Could the eldest of three, who is only destined for less, be on her way to good fortune? Wish Upon a Star by Sanura Bey reviews No matter where or when you are, hearing voices is never a good thing.

So, why is it that when Emilia hears a voice, she gets the one thing she's always wanted? Soplo de aire fresco by Dark Heart Attack reviews Sophie era un soplo de aire fresco.

She has to be. As the middle child between her outgoing bubbly older sister; Leticia and her headstrong, opinionated younger sister; Martha.

Yet it's that quietness and hidden strength that first draws Howl's attention. Her growing confidence and her no-nonsense attitude towards him is what captures his heart.

The Partner by jeju-island reviews Howl Jenkins Pendragon is a prince who lives in the capital and secretly immerses himself together with the people of Ingary.

As he remains incognito he begins to uncover the dark secret of the Royal Family. He then began a private investigation where he partners with a detective named Sophie Hatter.

A story of friendship, betrayal, and LOVE. Sometimes love itself was enough to break even the most powerful of curses. Based on the film by Hayao Miyazaki.

Y para siempre por ambos. Into Fiction by MintyWritesFiction reviews Rose was just an average girl until she went into the world of her favorite movie.

As she tries to find a way back home, she tries not to disrupt the plot. But of course, things don't quite go as planned. Parsons writes that "In Miyazaki's balancing act, old women can be powerful and weak, positive and negative, nurturing and selfish, maligned and loved; in short, they can not be simply categorized or stereotyped, and they can not be dismissed as fantasy malefactors embodied by evil witches.

In September , Studio Ghibli announced the production of two films. Mamoru Hosoda of Toei Animation was originally selected to direct the film, but quit the project after Studio Ghibli's executives rejected many of his concept ideas.

Miyazaki went to Colmar and Riquewihr in Alsace , France, to study the architecture and the surroundings for the setting of the film.

The film was produced digitally, but the original backgrounds were drawn by hand and painted prior to being digitized, and the characters were also drawn by hand prior to scanning them into the computer.

Therefore, the studio chose to manually retouch the digitally altered images, recreating the "feel" of a hand-drawn image.

The film has several differences from the novel, partly due to the different requirements of the two media.

Diana Wynne Jones ' novel has a very large cast of characters, and several plot threads that were too complex to be transferred into the film.

Miyazaki traveled to England in the summer of to give Jones a private viewing of the finished film. She has been quoted as saying "It's fantastic.

No, I have no input—I write books, not films. Yes, it will be different from the book—in fact it's likely to be very different, but that's as it should be.

It will still be a fantastic film. The novel depicts Howl's castle as a tall, dark and sinister wizard's tower, very different from the complex image in the film.

The film's castle may be seen as a parody of the machines seen in the movie, driven both by steam-engines and by magic. In the film, it is a "rotund collage of chimneys, roofs, steam pipes, and other odd appendages, borne along on mechanized bird legs" [29] that is similar to Baba Yaga 's hut in the popular fairy tale.

It is vaguely organic, and almost depicted as a life-form. Although they are set in a fantasy universe, the characters are often shown performing routine tasks, like cooking breakfast or washing up, in contrast to the heroic actions typical of a fantasy universe.

The movie, however, avoids this digression, and maintains a constant setting. Miyazaki's biggest addition to the plot of the book was the use of the war as a large part of the plot.

In the book, the war is only tangentially referred to; the king orders Howl to find the king's missing brother Justin, because Justin's military skills are needed for a forthcoming war.

The roles of several characters also differ between novel and film due to this plot change. The Witch of the Waste is the chief antagonist of the book, whereas in the film she is reduced by Madame Suliman's magic to an ultimately harmless old woman who evokes sympathy in the audience and in Sophie.

Penstemmon and the wizard Suliman into Madame Suliman. Although Suliman comes closest to being a traditional villain in the film, she is shown as having ambiguous motivations, and reviewers have stated that the real villain is war itself.

The thematic focus of the story also differs between the novel and the film. Reviewer Antonia Levi wrote that the experience of watching the film was similar to reading high quality fan fiction ; although the characters and the setting were the same, the story was different.

Levi said that "Jones uses Sophie, Howl, and Calcifer in a fairytale format to tell a story about challenging class and gender expectations, Miyazaki uses the same characters to tell a story about personal loyalty, love, and war.

Hisaishi also composed and conducted a Howl's Moving Castle: Symphony Suite , an album published on 21 January which includes ten re-arranged pieces from the original soundtrack.

The film opened at the 61st Venice Film Festival in , [4] and was released in Japan on 20 November On home video , Howl's Moving Castle sold 2. The website's critical consensus reads, "Exquisitely illustrated by master animator Miyazaki, Howl's Moving Castle will delight children with its fantastical story and touch the hearts and minds of older viewers as well.

USA Today critic Claudia Puig gave the film a positive review, praising it for its ability to blend "a childlike sense of wonder with sophisticated emotions and motives".

She also praised the design of the castle and added that Miyazaki added his own themes to the film: "man's relationship to nature, the futility of war, and the joy of flight".

At its worst, it's the most amazing course meal you can't bring yourself to finish. Scott of The New York Times wrote, "Admirers of [Hayao Miyazaki's] work, which is wildly imaginative, emotionally intense and surpassingly gentle, will find much to appreciate in this film because it demonstrates, once again, his visual ingenuity and his sensitivity as a storyteller.

For newcomers to his world, "Howl's Moving Castle" is a fitting introduction to one of modern cinema's great enchanters.

Conversely, Roger Ebert of the Chicago Sun-Times gave the film two and a half out of four stars, and called it a "disappointment" compared to other Miyazaki's recent movies.

Miyazaki's storytelling style resembles that of a breathless young tot who's fearlessly exercising his newfound powers of expression. The film appeared on many critics' top ten lists of the best films of From Wikipedia, the free encyclopedia.

Japanese theatrical release poster. Studio Ghibli [1]. Release date. Running time. Chieko Baisho , who voiced Sophie in the Japanese version of the film.

Emily Mortimer , who voiced the young Sophie in the version of the film dubbed into English. Director and screenwriter Hayao Miyazaki in Toshio Suzuki , who produced the film, at its premiere.

Main article: List of accolades received by Howl's Moving Castle film. The Spool. Retrieved 24 October Jefferson, NC: McFarland. Archived from the original on 14 October Retrieved 14 December Archived from the original on 5 March Retrieved 5 March Den of Geek.

Archived from the original on 15 December Nikkei Business in Japanese. Nikkei Business Publications. Archived from the original on 16 August Retrieved 16 August The Numbers.

Retrieved 15 August The Hollywood Reporter. Retrieved 17 July The Washington Post. Archived from the original on 20 November Retrieved 20 November Retrieved 24 July Retrieved 25 October Archived from the original on 9 October Burr, Ty 10 June The Boston Globe.

Retrieved 18 July Cavallaro, Dani The Anime Art of Hayao Miyazaki. Hayao Miyazaki's World Picture. Ebert, Roger 9 June Retrieved 2 June Geoghegan, Kev 5 December Online Ghibli.

Retrieved 16 July Gordon, Devin The Hayao Miyazaki Web. Retrieved 8 May Archived from the original on 4 April Retrieved 1 March Levi, Antonia Fantasy Fiction into Film.

Lioi, Anthony Interdisciplinary Comics Studies. Archived from the original on 5 June Retrieved 6 December McCarthy, Helen Archived from the original on 14 December Retrieved 4 January Morgenstern, Joel 10 June Smith' Battle, Slaying Nuance and Humor".

The Wall Street Journal. Retrieved 19 July Retrieved 5 September Parsons, Elizabeth 19 October Journal of Aging, Humanities, and the Arts.

USA Today. Rotten Tomatoes. Retrieved 21 September Rooney, David 8 September Translated by Schnell, Philip.

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